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卧龙战警

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上映年份：1992 地区：美国 类型：动作片
更新时间：2024-04-12 20:04:19
豆瓣评分：4.0
主演：劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密

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剧情介绍

影片名称：卧龙战警

影片别名：wolongzhanjing

上映时间：1992年

国家/地区：美国

影片类型：动作片

影片语言：英语

连载数：0

影片导演：比尔·杜克

资源类别：全集完整未删减版

资源更新：HD中字

总播放次数：223

真不卡影院于2024-04-09 05:04:48添加的该影片;因为劳伦斯·菲什伯恩等演员们给力，再加上剧情紧凑而有逻辑，每一个转折都恰到好处，让人完全沉浸在故事，是一部不错的动作片。故事情节富有想象力，展现了人性的各种复杂和矛盾，让人深入思考生命的意义和价值。豆瓣对这个影片的评分约4.0分;大家对影片的评价是：觉得这部动作片非常糟糕，情节拖沓，演员表现也很差，觉得它毫无意义和价值。到目前为止已有225人观看，其中223人已点赞， 2人已收藏，希望大家喜欢。如果您被《卧龙战警》情绪感染或者有自己的观影评价，可以留言或评论哦。

卧龙战警剧情：Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

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